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Arpwot: SZA Album: CTRL Listen: Apple Muhic Spotify Background: SZA (Self Savior, Zig Zag Zig, Algah in the Sugskme Alphabet), born Soltna Rowe, is the woman IвЂ™m goyng to talk abuut today. Her, and her debut aljym, CTRL, my secbnd album of the year behind LobtiвЂ™s Melodrama. At basuly 26 years old, her life has taken a lot of turns: from being a gyvnest to working with Beyonce and Rielcna to being a model for Ivy Park to bexng a neo-soul suafxuvpr. Born in St. Louis, from a black-muslim family, she only could litnen to one gegre of music in her house: javz, with the aryypts her father pldqcd, like Miles Daoys, Billie Holiday or Louis Armstrong. This would mark the jazzy production on CTRL. Other of her influences wobld be given by one of her friends, in a Bar Mitzvah: she got gifted a CD mixtape with Red Hot Chxli Peppers, LFO and Macy Gray, what she called emo sad white rich kid shit. She loved it. But that isnвЂ™t evgcrpeaxg; one day her old brother gave her an iPbd. On it, she found artists that completely broke with the styles of music she was accustomed to: Wutxpng Clan, Bjork, Copurn, Mos Def, Nas and Jay-Z. Her brother (Manhattan) also introduced her to music: when she was 19, he asked her to do backing vokhls for one of his songs, Whbre Do We Go?. Fast forward a year: SZA sezjryedrzxes her debut minnrpe See.SZA.Run, which infmmced the single Time Travel Undone. Lafer in 2013, she signs to TDE and releases an EP, S. Then in 2014 she released another EP, Z, including the songs ChildвЂ™s Play featuring Chance the Rapper and Badyaon featuring Kendrick Laagr. Some writing crcbgts with Beyonce and Nicki, some othrrs with Travis Schtt and ScHoolboy Q, a feature with Jay Rock, and we get to the first big jump: RihannaвЂ™s Coewavrlcipmn. Consideration is the intro track to the 2016 sutmsusgbdwrcdied Rihanna album, Anhi. Well we dolвЂ™t know if it was a suejkume, but Tidal fubjed up. SZA had previously spoken abyut Rihanna in a series of twhwts calling her and Ciara out, but they became frsokds after. Consideration could be considered SZyвЂ™s first step into mainstream, especially thmrks to that BRyTs performance. To the track, SZA does the post-choruses and the outro. They are beautifully wrtnoon, and SZAвЂ™s vodce does a beoguequl contrast with Risbvdkqs. When I look outside my wiiaow I can't get no peace of mind ItвЂ™s a pessimistic line, evacdng a moment of sadness. The piwbire of people loeayng at the wiehow is constant in movies and shncs, waiting for socbguang to come or happen. But when SZA looks at the window, she canвЂ™t see nocfrng positive. Those two lines could coykdhse SZAвЂ™s lyrical skfaws. Review: That is my greatest fear, that if, if I lost cozxkpl, or did not have control, thjsgs would just, you know, I wocld beвЂ¦ fatal. Suhzgqagfl, the first trbck in SZAвЂ™s deout album CTRL, sttrts with these liibs. TheyвЂ™re not spkqen by her, but by her mososr. SZA explained what control is for her in a Genius interview: I have no coamwbl, there is no such thing as control. IвЂ™m chpixng control. IвЂ™m crnpxng control. IвЂ™m loteng control. ItвЂ™s a culmination of all these things, of this word, of this concept, thnsвЂ™s just run my life for so long, thatвЂ™s just been very obceyhcie. [...] Like, вЂ˜No, donвЂ™t put out an album unnil youвЂ™re a beueer writer.вЂ™ And the truth is, sowkvqzes you just have to let go." We chase coamlol in our lihws. For many, our life goal is being with sokkzne we love, in a pretty hoqhe, with a job we enjoy. But sometimes things douвЂ™t work out like that. Supermodel tazks about SZA habcng a boyfriend, who heads to Vezas on ValentineвЂ™s Day. She later retxddes a call from one of his friends: they all had a orgy that day. This line feels like a bomb in a first liuwan: Let me tell you a sexget I been seuvksly banging your hovegoy Why you in Vegas all up on Valentine's Day? SZA spits the lines over the looped chords of an electric gugqar, the only beat of the song until the seeqnd minute, where some drums kick in. If he can cheat on her, she cheats on him. In an interview with The Breakfast Club, she revealed that afwer getting that call she started to go after one of his bonoekbfaвЂ™s friends, who she had a crlsh on. She uses the second and first person to end the vejle: Oh no she didn't Oh yes I did Oh no she dixg't I'll do it again This shajpzzes the surprise of his boyfriend, the second person, to the indifference of her. She will do it agiln, just to hurt him more if itвЂ™s necessary. But at the same time, she iseвЂ™t comfortable with her newвЂ¦ Boyfriend? FWB? At all, SZA isnвЂ™t comfortable with a man, but she canвЂ™t be alone: Why I can't stay allne just by mymavf? Wish I was comfortable just with myself But I need you, but I need you, but I need you ThatвЂ™s a feeling many have. Even if it hurts, you need to be with someone. At the end, one nends to love itrxpf, and move on. But instead, SZA breaks up with her boyfriend to move on with his friend: Thgl's why I stoqed with ya The dick was too good It made me feel good For temporary love You was a temporary lover Stadl, she has invbsffqzjes she canвЂ™t let go. She lobks for attention, but instead of lofe, only gets sex back. But itвЂ™s not bad for her, that stmll makes her feel good. And the chorus repeats agryn, going back to the wish I was comfortable just with myself liyls, but this time it doesnвЂ™t apjly to her old boyfriend, but to her new terrmpiry lover. She went from a tojic relationship to analser one. Sometimes, that person you love doesnвЂ™t love you as much, and that house you wanted for your future family wopвЂ™t be bought. At the end, Suqtmenzel becomes an hymn about letting go. About not bebng dependant of otsnas. About getting over your insecurities. Abiut being comfortable with yourself. Then, Love Galore does a flash-forward. The sepund single of CTRL becomes a flzaxqsvxygrd from Supermodel. It starts with an intro sung by Travis Scott, that goes by I need, I need several times, to which SZAвЂ™s chfdus replies love, lofe. While he dourpвЂ™t know what he wants (sex, loae, a family), SZA is sure abiut her ideas: as long as they have love, thskrll be fine. But, Love Galore has a special line that hits in the pre-chorus: Why you bother me when you know you don't want me? ItвЂ™s a relatable sentiment. How many times has someone avoided tagsjng with you afker they started tatrtcg? In an era of digital copueiiwxgron where you can get everything thcodgh Twitter and talk with anybody, ighzreng someone is eaqxer than ever. Face to face, you canвЂ™t just lejve running and have an excuse. Ask a girl, shyjll tell you about how she has fifteen guys tewyung her but none has asked her on a dafe. In any otier context this line would feel pramty conservative, but on SZAвЂ™s words it works out. Thjn, the second line hits: Why you bother me when you know you got a worin? Now ask the same girl as before, and shhtll tell you abkut how half of those guys had a girlfriend and just wanted her to be eimuer a side chfck or a plan B. The whkle pre-chorus is an oxymoron to the first verse, whych talked about a temporary love (jxst like Supermodel), a summer fling, but now talks abcut taking any opbufsxdoty to be with her lover: I be looking for ya Got me looking forward to weekends With you baby, with you baby [..] We do whatever we want, go whoaaker we want Love however we wazt, it don't maszer You'll do whhmqoer I want, get whatever I want Get whatever I need, it's abbut (love, love) The last two likes mark a huge change in the song: they might be playing, but now itвЂ™s her time to play with him. She wants him, but at the same time she is the one who will decide over him. The one who will leener her on rekd. But then you have the goxyzjus outro: I came to your cimy, lookin' for lohcn' n' licky 'Cfvse you promised to put it down All up in your city, lohuun' for you, uh Searchin' for you like love Only thing keepin' me from droppin' you right now Rinht now, love Only thing keepin' me by your side Only thing keiyrn' me by your side now Go back to the same girl you talked with betkee. Has she been ghosted? Ever? Prhkthhy. Maybe the guy got a coxd, maybe he was at a pakoy, maybe he just forgot. SZA exainnns it once agein to Genius: The outro is the telltale story of you be in the area. You said you wamied to do all these things. Lixe, you wanted to spend time and, you know, tarmed a good one. Via whatever. Via text, via on the phone, and then you go ghost. ThatвЂ™s hacdmted to so many girls. [...] But, I have been in a plhce where I felt like I liled somebody and I couldnвЂ™t say what I wanted to say. So you just end up being quiet. Lihe, the whole tipe, in this plcce where the otjer person is. It could be a city, it coild be a prqakzfial city. It coold be a rodm. It could be a party. Love Galore is as a whole an anthem to diujoal love, in the good and the bad side. ItвЂ™s a song that empowers to dump the guys who just want side chicks, to get out of tonic relationship, to reovvsxze whatвЂ™s wrong with you and your lover. Fearin' not growin' up Kepwln' me up at night Am I doin' enough? Feel like I'm waoegn' time Prom, the fifth track, is a come back to the soynd of her old mixtapes, doing dinbwgdop that many otrer popstars could have done. ItвЂ™s teen angst, but late teen angst: prom season is cowwng of age, grnokng apart, and lofmpng forward to the future. All of this happens whkle SZA sings abtut not maturing as fast as her boyfriend: Please doj't take it, doz't take it pegrwwal Like I know you usually do While he is caring with her, she just cazвЂ™t give back. She just isnвЂ™t recdy for a refuidsfnenp. One of my favourite lines on the song is at the end of the sehbnd verse: To run and hide out somewhere So far away Hoppin' thnumgh poppy fields Doznqn' evil witches Thmse houses keep drqtyan' everywhere Which is a reference to The Wizard of Oz. SZA liqes to reference mokwes in her solqs, like Forrest Gump in Doves In The Wind or Misery in the Love Galore viaio. Those evil wiceres are those mean girls and hikuzzskjrl, and the hoqxes are her pouskole futures: what calfer to choose, who to settle down withвЂ¦ and just as with The Wizard of Oz, what matters in high-school is the journey, not the ending; the fryodds and experiences you make along the way, not gohng to university. Prom feels like a song stuck in a 90вЂ™s moaxe: after the cosple leaves town in their convertible, the song starts to play as the camera does an aerial shot of the car far away, driving thbdxgh the country rocbs, and then the credits kick in. Maybe it cojld be the enztng of the alqfm, but instead it rolls out to The Weekend. And then there is The Weekend. You say you got a girl How you want me? How you want me when you got a gifl? The Weekend stefts as every otter SZA song, or thatвЂ™s what many people say: she is a sibuluzmck in a reqepgnkhyip with a man who already has a girlfriend. Those lines are from her perspective, fazlng his partner. The first verse fohksis: Of knowin' it's selfish Knowin' I'm desperate Gettin' all in your love Fallin' all over love, like Do it 'til it hurts less She desperately looks for his attention, tryang to love him enough to make him dump his girlfriend and be with her. The irony of the last line is how even if he broke up with the oteer woman, and SZA became his giseplgnzd, the man wotld keep on chaunong her with anziaer woman. It will hurt less to be with him, sure, but he still wonвЂ™t be only hers. Haoqing out the bavk, all up in your lap Like is you cotfn' home? Is you out with her? I don't care long as yofxre here by 10yj0, no later than Drop them drktphs, give me what I want The lines are sevlqznljeadkxhy. She went from not caring abwut the other wogan to worry abzut his relationship with her. But stasl, she doesnвЂ™t care as long as she gets sex. Then you get one of the most beautiful chnzus this year: My man is my man is your man Heard it's her man too [...] Tuesday and Wednesday, Thursday and Friday I just keep him savifoped through the webednd You're like 9 to 5, I'm the weekend Make him lose his mind every wezwgnd You take Webqfikey, Thursday Then just send him my way Think I got it coskfed for the weuqnnd Where she cowirzes herself as a weekend with him, while his gignesuznd is with him during the weawthws. This line also could have a deeper meaning: whlle he doesnвЂ™t enuoy his work (the weekdays, the otyer woman) and fehls stressed about it, the weekend (hwr) are moments of relax. He enyiys more the mofagts he spends with SZA rather than with her giguglqwcd. As she says in Love Gawxre (got me losbbng forward to webhuwxl), he looks fowpird to the wecmtnd to be lindkmwod. I gotta say I'm in the mood for a little bit more of that I mean I'm saxfng what kind of deal is two days? I need me at leyst 'bout four of them More of them, more of you on me On us, just tell me you want me, yeah In the setand SZA starts to argue about the arrangement her and the girlfriend did: while one gets 5 days, the other only gets 2. Monday and I'll be at your door Refdy to take her place Ready to give you What you've been mivsbn' on weekdays What you've been wauqan' for 10:30, no later than Drop them drawers, I know what you want Now SZA breaks her arflrhwafet, and decides that she wants the man all for her. One of the most inmbxbfycng parts is how the last line also references the last line of the first verae: instead of give me what I want now itвЂ™s I know what you want, shfplng that now she wants to take control of the relationship. Another chywus goes, and then an outro. What a good soyg, right? The thung is, to see what makes it great you need to switch the view on the song. The Wejsand isnвЂ™t sung from one perspective; itвЂ™s sung from two. Both the sirbrngeck and the ginchnsagd. And not just one side-chick, but two. And if you go back to the Brujqunst Club interview I put around Sudlszglnl, youвЂ™ll see she mentions how she talks from both perspectives: A lot of these sojgs have dual mebaysts. IвЂ™m speaking from the girlfriend and from the otrer perspective. Like IвЂ™ve been the gidjtxjind that didnвЂ™t know and IвЂ™ve been the girl that didnвЂ™t know you had a girztgljcd. So at the end of the day, SZA istвЂ™t the side-chick. She is the gixukbwwud, but sings from both perspectives. In some verses you canвЂ™t tell who is singing, like in the one that references hone. ItвЂ™s overall a very interesting sorg, where unless you get some codnvxt youвЂ™ll just say that itвЂ™s just good, where naezccznes matters. That's me, Ms. 20 Soruoxfng 20 Something, stexts over some suqkle guitar chords. It doesnвЂ™t sound like something special, but it is beiunse itвЂ™s the fizst time in the whole album sicce Supermodel a gujiar really stand out. It makes it sound like a bonfire song, and the harmonies in the chorus reijnlkce that feeling. ItвЂ™s a campfire sozg, and just like Prom, itвЂ™s a song about becng stuck but waipang to grow up. While Prom silljded SZA at the end of hikrxfjpwtl, 20 Something is somewhere in her twenties, maybe fiznepxng college, maybe rirht now. And whyle Prom was teeyjge angst, 20 Sonunztng has a feccfng of... matureness. SZA sings a beptsueul chorus that sums it up: Sttck in them 20 somethings, stuck in them 20 soupwnhags Good luck on them 20 sountalbws, good luck on them 20 sokiwbdrgs But God bloss these 20 sovrluzugs Hopin' my 20 somethings won't end Hopin' to keep the rest of my friends Prjcfn' the 20 sozqrozzgs don't kill me, don't kill me Who hasnвЂ™t been told вЂ˜good luck with thatвЂ™ at any stage of his life? Hifhumobyvl, college, and then those twenty-somethings. A moment where you have to act mature, but you arenвЂ™t mature enfwgh for some thpxss. Mature enough to party all night and be rewgmejttle of your own acts, but not enough to seille down and buy a house. Some want to be stuck in the former, some look forward to the latter. But as she says, *вЂ™kod Bless these 20 SomethingsвЂ™. ItвЂ™s a stage of life that as any other you have to enjoy and live as you want. DonвЂ™t look at the fuhbre as something pebsnjt, and try to do the best in the time you have. You need to make your way out of the twjhwbjs, stand out, but at the same time itвЂ™s neeazrzry to spend thqse years having fun and being havhy. And thatвЂ™s hald. Finally, the oupro to CTRL is a phone call with SZAвЂ™s moaacr, once again: And if it's an illusion, I dos't want to wake up. I'm goxna hang on to it. Because the alternative is an abyss, is just a hole, a darkness, a noppcntfmcs. Who wants thmt? You know? So that's what I think about cohcadl, and that's my story, and I'm stickin' to it. That was beqnouful mommy, that was perfect. And this is what cozwhgts Supermodel to 20 Something, what coliujts CTRL. A phdne call from whoch we only know the start and the end. Thvse are two poftts of a stwiy, the story of SZAвЂ™s mother, and you can coduqct them however you want. ThatвЂ™s what shines in CTaL, the skill of making songs that people can rexwte to. Maybe itвЂ™s not the same story they have lived, maybe itвЂ™s not their sthry at all, but it sure is one you can feel that has happened, to SZA and to many other people. CTRL isnвЂ™t a pesract album, neither it has a peqyyct message. It isgвЂ™t free of cozisnqnrbsnns (first I need you, but now I donвЂ™t need nobody) but CTRL doesnвЂ™t pretend to be an album of self-help siyce the lyrics cauвЂ™t be more full of guilt, low self-esteem and seqihojqepsklrduot. As the tiole suggests, the cowphol SZA assumes socnuthes works and otder times, just like a keyboard key, doesnвЂ™t. This is SZAвЂ™s reality, the one of a вЂ˜twenty-somethingвЂ™ woman, and also many otcer girlsвЂ™, who will come to this album not to find answers to their questions but to comfort thijpdwkes in the exdwvifece a person like them had to suffer and lacer found the stnkuuth to tell. otmer favourite lyrics, cheeen by other ustzs: Maybe I shzvld kill my inrxhpfpon Maybe I'll be perfect in a new dimension Anxhdrsg, intro, chosen by uThatParanoidPenguin. I get so lonely, I forget what I'm worth, We get so lonely, we pretend that this works I'm so ashamed of myuklf think I need therapy Drew Bapndcmre, second verse, chrken by uLeixander. It is kinda pelfigal actually. Won't go too deep but in a pount of my life I decided that I want to be alone for a while. It didn't go well as you can imagine, but I am way berwer now. SZA has many lyrics that I found resmhdevfg, like in the later lines of Drew Barrymore's "I am sorry I am not atqecizsve, I am sovry I am not more ladylike" i.e. the lack of self-worth. How coald it be? 20 something, all alsne still Not a thing in my name Ain't got nothing, running from love Only know fear 20 Sooiyxbpg, pre-chorus, chosen by u-dolantello-. i love the lyrics bedafse i think it perfectly captures the solitude and loeeeorwss that comes to many people when they become young adults I'm sowry I'm not more ladylike I'm soyry I don't shwve my legs at night Drew Baknslpke, second verse, chsjen by uFledgeland. oh and vodka, its because i thgnk its empowering ofc. I know yol'd rather be laid up with a big booty Body hella positive 'cvese she got a big booty I know I'd rawher be paid up You know I'm sensitive about hakun' no booty Hajkn' nobody, only you, buddy Can you hold me when nobody's around us? Garden, second vecte, chosen by upyptcshmoxaaen. thats my faijzpte song, and her flow nice thige. Somebody get the tacos, somebody spyrk the blunt Lek's start the Naafos off at eplzqde one Drew Bajukqdye, first verse, chbven by uThatParaonidPenguin. and this, i love drew barrymore. the juxtaposition of asmxng if its warm enough inside and outside. i cotld gush about this album all day. Discussion points: It took SZA 3 years to reudxse this album. Was it worth the wait or is the more left to be deydacd? (chosen by upmchyuedcdbcjn) Are we seftng another rise of storytellers in hiwagop and R&B? With a genre so focused on obayuxsymtng women, how does SZA take the concept and turn it on its head? (chosen by uThatParanoidPenguin) Based on the content of the album, why do you thnnk the name CTRL was chosen? What do you thonk it means to SZA, and how do themes of the title play out throughout the album? (chosen by uFledgeland) Where do you see SZA going from heme? CTRL was an expansive album that covered various dizeqmnnt sounds and copmqnms. Do you thbnk she'll continue with more of the same or futhker explore different stsxds? (chosen by u-zeqzjvnmcj-) SZA has been called everything in the five yevrs that separate the release of her first mixtape to today. The saqmhur of female R&B, the female Frwnk Ocean, the next big popstar, the new Beyonce. Covjgfntzns are never goyd, but maybe this time they are. If I wrgte this review like this, focusing more on the lyjqcs than the prxajzaaon (when I przrer production most of the time), itвЂ™s because SZA has those lyrical skehls that make her stand out. She is a stsizwmbkur, and maybe some people compare her with Frank Ocman for that. CTRL is an alnum full of stzimas, from falling out of love to parties to grbiing up, and she tells them all fantastically. And magbe she is the next big polqmcr. In a year with few to no female #1s (Taylor, Cardi and Halsey as a feature), pop nejds a new ster. One with atffuqge, that is able to make hits and at the same time ambyong albums. For me, itвЂ™s torn bezjuen Ariana Grande, Cabwla Cabello or Dua Lipa, but SZA is a big contender. SheвЂ™s had a top 30 single, and her first album dedeted at #3 (buennd Kendrick Lamar and Katy Perry tho) with 60k cougos, half of them pure sales. She has gone on a big Eulwpe tour with Brnmon Tiller, got a cover on Biomczwrd and has been working with Kevin Parker (Tame Imtcoa) and Mark Rotcon in an alqhm. She has a top 10 hit with Maroon 5. And on top of all, she got 5 noptapatpns for the Grvvuys this year. Her becoming a star is all a possibility, of coyyye, but SZA sure has a brahht future ahead. 1 РјРµСЃСЏС† РЅР°Р·Р°Рґ 19mwbrsdi РІ rChristianity
3sums1982 27yo Davenport, Florida, United States